28

28 Weeks Later has to be one of the worst and most ill-conceived sequels to any film I've seen. The sequels to Bring It On and Cruel Intentions might have been both pointless and terrible films in their own right, but it's the strength and power of the original film that makes 28 Weeks such a let down.

28 Days Later was so much more than just a zombie film.

The film followed the aftermath from the outbreak of a destructive virus that infected the blood and within seconds turned the infected into a rage-filled 'zombie'. Unlike most zombie films, the infected weren't the dead returning to life -- and that's partly where the film took a more meaningful turn.

It's significant that the virus was referred to as 'rage', in that it was a metaphor for a wider condition. The film opens with shots of violence from around the world, riots, wars, protests -- and the shot pans out to a monkey strapped to a table, being forced to watch. When animal rights activists break in to rescue the chimps they are warned that the are infected. With what, they demand to know. The scientist tells them to treat something you must first understand it. And tells them the monkey is infected with "rage".

Jim -- a bicycle courier -- wakes up alone in a hospital four weeks after being hit by a car, his confusion and disorientation mirrors the audiences as we don't know what happened after a misguided activist was attacked by an infected monkey. When Jim is rescued by two survivors it's explained to him:

"It started as rioting. But right from the beginning you knew this was different. Because it was happening in small villages, market towns. And then it wasn't on the TV any more. It was in the street outside. It was coming in through your windows. It was a virus. An infection. You didn't need a doctor to tell you that. It was the blood. It was something in the blood. By the time they tried to evacuate the cities it was already too late. Army blockades were overrun. And that's when the exodus started. Before the TV and radio stopped broadcasting there were reports of infection in Paris and New York. We didn't hear anything more after that."

The 'rage' virus can be seen as a metaphor for what is wrong with humanity -- what William Golding referred to as "the darkness of man's heart".

Alex Garland -- author of The Beach as well as 28 Days Later and Sunshine, among other notable works -- doesn't seem to have a very rosy outlook on humanity. The Beach starts almost idyllic, but not altogether unlike the events on Golding's own desert island, it seems flawed human nature spoils everything. The virus in 28 Days literally represents what's wrong with mankind -- it's something inherent, "in the blood". The only lines spoken by an infected person in film comes from a boy, found in an abandoned roadside cafe. It's significant that he growls the words "I hate you".

The film's unlikely survivors find an army base near Manchester -- and it's here that the dark heart of human nature is made clear. The soldiers are almost worse than the infected, perhaps showing what happens to humanity when civilisation breaks down.

Unfortunately, the subtlety and thought of the original is completely lost in the gratuitous sequel. 28 Weeks Later takes place, obviously, six months after the first film. The infected have now starved to death and England is quarantined, being marshalled by US troops.

Naturally, it all goes wrong and the infection starts up again -- a survivor is brought into quarantine who although she appears uninfected, is actually a "carrier" of the virus. The result is lots of blood and gore and death and not a whole lot else. There is no longer any exploration of what the virus "is", there's no ambiguity to it. There's no examination of the darkness of our heart, or human nature -- it's just a big budget horror flick that completely forgets everything that came before it.

Perhaps, as a film in its own right -- if you knew nothing of what had come before it, it would be passable. But to follow up something so haunting and thought-provoking, yet genuinely frightening with such... Hollywood garbage? It's almost heart breaking.